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Après-Ski, Kinky
Unusual,
so-called ‘kinky’ sexual behaviour has become something of a norm
but in the 1960s it seemed excitingly new and suddenly obligatory.
This piece is subversively affectionate, secretly admiring what
it savagely satirises. Who
does not know that some spice is needed when food loses its savour?—
Their icinesses weep: her nails weep for
the breaking skin, his eye for a spiked heel,
their hearts for fiercer laws, frankpledge of two,
(the jackboot was defeated from the scene
when incest of one race was the one mode)
to cure their love of life, their tasteless tongue.
Here
celebrity lovers rich enough to take ski-ing holidays, not in those
years on the school-trip calendar, are seeking a cure for their jaded
‘love of life’, in their erotic complicity fantasising over the
bygone sado-masochistic era of Nazi licence.
See The Night Porter.
A
record dips: the image is of a music record going up and down on its
turntable. Pilule d’Or,
‘golden pill’, here also the name of the music; the ’60s were the
First (and Golden, pre-AIDS) Age of the contraceptive pill.
Herr Klamm: German businessman embedded in the white
supremacist, apartheid economy of South Africa; Jungfrau (‘young
maiden’—an alpine peak) rim: resort area in the Bernese Alps
in Switzerland; Apollo: handsome young man, like a Greek god:
‘agape’ because stupid, though there’s a pun here too, since
‘agape’, when pronounced á-ga-pee, means spiritual love; Mistinguett:
stage name of Jeanne-Marie Bourgeois (1875–1956), French music hall
entertainer with great legs who often appeared with Maurice Chevalier; Cuissardes
en cuir: women’s thigh-length leather boots.
Frankpledge is corporate responsibility, so in
‘frankpledge of two’ I’d be responsible to you for your good and
bad behaviour and vice versa. This
suggests that our lovers are acting as one, as lovers are always said to
do, and mutually devoted to erotic adventurism.
Jackboot: symbolic of Nazism and its creed of ‘Aryan’
racial superiority, hence ‘incest of one race’.
Alan
Marshfield
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