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FULL FATHOM FIVE

   

In the sea-seasoned black timber:

furrows deep as a miner’s worry

and a hole. Round this orifice

you can make out a face, a peaty

offering, leathery, garrotted.

   

The tide returns many intricacies:

a cuttle-bone like a Celtic spatula;

in its fine cracks thin algal greens,

and here you can see a face also,

long-haired and dour, druid-white.

   

In shell spirals, ridged and noduled,

old homes of the sea’s hiders, reticence,

you can make out villagers gathered

around a victim. We throw history away

but it’s saved in the sea’s scriptoria.

   

And the book of the past washes up:

covers eroded, the ciphers split,

the illuminated capitals leached. The mind’s

trove of corpse-leakage comes washing up

and whelks the eye through which we study Now.

Alan Marshfield

  

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