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ON THE SQUARE

 

On the square, tumbled out

 

—after the early alarm of the billet corporal’s clatter

        on the left-open-all-night door

        and his ee-yi summons, ‘Hands Off Cocks!’;

—after early drubbing of faces in cold-water troughs

        and cheek-hacking with blunt razors;

—after groggy dash in brown plimsolls

        for the canteen breakfast of stewed tea, bangers and eggs;

—after loading ourselves into hairy thick tunics and
        trousers, joined by blanco’d belts and Brasso’d fittings;
—after clamping our feet into spittle-and-blackened
        boots, stud-soled;
—after nudging our naked heads into tilted berets

        with bright regimental badges over right eyes;

—after line-ups in fours outside the house block

        and the ‘Ee-yi Shun!’ and our stamp to attention,

        and the ‘Ree-igh Tur’!’ and the ‘Kwee-igh Mar’!’

 

—on the square, tumbled out, we were

        post-war conscripts, not expecting a war.

 

But any disloyal thought was a betrayal.

This was a young man’s duty.  It would end.

 

We lined up for inspection before work

on tanks, in stores, in regiment offices.

Some blokes we knew were in Korea,

actually fighting, poor sods,

but we were on a Salisbury Plain parade square,

drilled by hungover sergeants,

prowling for faces that did not fit,

for webbing that did not fit,

for dumb-shit unshaven faces, unironed sleeves,

which the mouths could shout at.

 

‘Stand closer to the bloody razor!’

 

Or the sergeants prowled for the soul

who was always on a charge.  To us

a charge was a hint of hell, but

to persistent victims it was a sweet

masochistic bloody home from home.

 

After inspection, the drill.  This bit we could bear,

our spirits sank into the robotic thudding of boots.

Left wheel, right wheel, change step, salute!

We even got pleasure from this.

Pride of self submerged into unit, squad swanky and hip,

as we battered the tarmac with percussive heels.

 

That was part of it.  That was the morning.

 

But I remember most falling each drill

into a private boot-beat of lofty belief

stitched from religion, from pagan poems,

read at night on an ashbin in a boiler cellar,

G.M. Hopkins and a Penguin Buddhism book,

asceticisms suited to the Spartan way

of the brusque barracks, the iron bedsteads.

 

Belief untellable about an Alive Nothing,

about an experiential Nirvana,

a felt absolute, an utterly not.

 

Arms swinging stiff and high, eyes on the sky,

I intoned Hopkins’ Windhover about morning’s minion.

A falcon of youthful energy uncaged from my eyes

and flew into a grey-camouflaged, all-promising horizon.

   

Alan Marshfield

   

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