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DRAGONFLY

 

I am a god, a membranous whirl, a powerful thruster, brilliant, whose origin is the Nile.  I am a foe of the land-logged, of those wizened by angers.

 

I emerge one night from a dead skin with new wings to glisten in the moon and shall live for a summer.

 

Down in the water, waterlogged, I admit it, I struggle for steps not there, in ridiculous drag, snapped at by fish not big enough for my skin, and I get somehow out on a rope’s end.

 

Hovering like a module sliding backwards and forth, visible stay of invisible piston, oiled with the blue of the air, I am purposeful search and explorer in need of supplies.

 

Carnivorous and predacious, patrolling a beat, devourer daily of many times my own weight, I have powerful jaws and dismember prey on the wing.

 

I zoom in like an ancient biplane laden with bombs to accrete like stately vol-au-vents in the leprous drawing rooms, in the concentrations of death.

 

In the sloping life-support system of my thorax are medicaments to meet every imagined contingency.  I can change your mind at a moment’s notice.  I am the funny wizard.  You need not beware.

 

I have, if you like, a mission.  Who has not?  At Copenhagen, docked, I register a lighthouse island approachable only by hydroplane.  There the heroines stayed: Cleopatra, Florence Nightingale and Modesty Blaise.

 

I take each in turn and I hold her neck with my knees and we mate like that.  She washes her eggs off to look after themselves.  The nymphs will take three years to moult to size in the ooze.

 

My whole head is encased in great helmeted eyes composed of a thousand facets.  My knowledge is a mosaic of light and movement.

 

I look in the dish of each flower that is busily recording pulsars and electrical storms on the sun.  I note its spectra and function and style—and my categories are enlarged.

 

I dart sideways by disappearing and appearing again five years away to the left in the same instant.

 

Sheering in past Tilbury over the cancered pelvis of England, rubbled with daisies and rusty boilers, I descend, a serious animal, an analogy fighting analogy, looking for a mate and a prey before I dispatch to die very soon in the ice at the pole.

  

Alan Marshfield

  

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