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THE HOBBYISTS

 

Kids no more, though captains of chugging toys

that sweep across the Sunday morning pond,

they grow the way they wish to, with the boys.

Two-foot destroyer and three-foot launch respond

to radio devices.  An aerial wand

waves over each controller’s head.  The scene

is masculine: sweat, docks and gasoline.

 

They are as crafty in their fantasy

as grand world-masters of event or thought.

Too au fait with design they may not be—

diodes and torque—but brains are to be bought.

They’d be inscribed with astro- and argonaut,

the skilful doers.  A twisting lever plucks

a five-star liner from the reeds and ducks.

 

The March light is a lattice of molten stone:

sky soldered into water as if sky

must be laid ruin, its ribbing bedded, prone

in a green park where everyone walks by—

couples, kids, dogs—where arrows signify

the way to go see what the Romans made

or where St Alban set up God’s stockade.

 

Cathedral and museum have reinforced

the shapes men have to fit.  The experts name

a way that diode, ogive, hypocaust,

lex, missal, medicine, may form a game

where men have parts.  As such this sport is tame,

making toy boats run random in a pool.

Hobbyists do not care, though, as a rule.

 

The experts make the game, ignoring which

the aerial boys then better the idea

by instinct.  Rule within rule.  They make a niche,

a circle in which each man knows his tier.

The one with boils ranks high, with all that gear;

pram-trolley, oil-rag, part of the mystique:

his copper hull has never sprung a leak.

  

Alan Marshfield

  

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